Wah Fu Estate
Completed almost 50 years ago in 1968, Wah On House is part of the larger Wah Fu Estate, a public housing development near Aberdeen, on the south-west coast of Hong Kong Island. The first of its kind, the estate was conceived as a New Town project for low-income families, and was designed to foster a sense of community, with integrated services such as schools, a market, banks, restaurants and a public library. This panorama shows the remarkably high-density nature of Hong Kong’s public housing, as well as some of the facilities still available today, such as convenience stores, grocers, an electrical goods shop, and an off-site betting branch of The Hong Kong Jockey Club.
In recent years the ageing estate has fallen into disrepair and many of its residents have been waiting for the government’s help to move to newer and better homes. In 2014, it was announced in the Chief Executive’s policy address that Wah Fu Estate would be redeveloped, and that the 26,000 remaining residents would be rehoused in new public housing developments nearby.
Running down a long section of the Kowloon Peninsula, Shanghai Street in Mongkok features this cluster of ten pre-war tong-lau shophouses, which have been listed as Grade II buildings for their historical value. This is one of the few remaining examples of the typical Hong Kong architecture of the 1920s, with their first-floor verandahs (now enclosed) and arcaded fronts facing the street. The four taller buildings interspersed among the shop houses were built in the 1960s.
Such tong-lau shop houses were residential on their upper floors and commercial at street-level, with stores in this area selling Chinese and Western utensils, hardware, traditional Chinese wedding gowns, and even snake soup.
A major heritage preservation project by the Urban Renewal Authority has already started, which will see the entire block revitalised, with many of the original architectural elements preserved. However, critics fear the loss of the area’s original character and the break-up of the community of some 170 residents, who will need to be re-housed.
Ki Lung Street
Ki Lung Street (基隆街) runs through historic Sham Shui Po, a district situated in the northern Kowloon Peninsula of Hong Kong (香港). The nine-storey block featured in this panorama was built in 1963, and is a prime example of a post-war "tong lau ( 唐樓)" or "shophouse", a type of tenement architecture previously used throughout Southern China for mixed residential and commercial purposes. This block also features the much-loved curved corners at either end, an architectural feature that is increasingly rare in today's modern buildings. Given the high rate of urban decay in the area, Sham Shui Po is a major target for urban renewal projects and such traditional tong lau are rapidly being replaced by new high rises.
Ki Lung Street - more colloquially known as “Button Street” - is one of the go-to streets in Hong Kong for purchasing wholesale fabrics, fasteners, sequins, feathers, buttons, and other garment accessories. The popup market stalls in this panorama are mainly dealing in ready-to-wear apparel; the wholesale fabric merchants are to be found along many of the neighbouring streets in Sham Shui Po and Cheung Sha Wan.
Another notable feature of this panorama is the use of 100% natural bamboo scaffolding for construction, a traditional practice which is still used widely throughout Hong Kong today - 5 million bamboo rods are imported into the city every year.
To Kwa Wan Road
To Kwa Wan Road is a major thoroughfare in the Kowloon City district of eastern Kowloon, Hong Kong, located just to the west of the old Kai Tak airport. The buildings in this block comprise the eastern edge of the famous “13 Streets” neighbourhood (十三街). The 11 parallel streets inside the zone are named after animals which are auspicious in Chinese culture, such as dragon, phoenix, swallow, crane and horse. These dilapidated apartment blocks were built between 1958 and 1960 and are under review by the Urban Renewal Authority for redevelopment.
This panorama demonstrates some typical features of Hong Kong architecture. The distinctive curved building end is common in older parts of the city, but something rarely seen in more modern architecture. The apartment blocks in this part of the city were restricted to eight storeys in height, to allow for the low-passing aircraft on approach to Kai Tak airport.
63-67 Tung Shing Lei Road, Yuen Long
This row of 1930’s village houses, known collectively as “Lau’s House”, was built by a businessman named Lau Wai To from Taishan City in Guangdong province. Lau started a fish-farming business in the Yuen Long area of Hong Kong, and between 1926 and 1935, he built these four houses and one ancestral hall for his eight sons and their families. Constructed in the architectural style of Lau’s home-village in Taishan, each house is split into two halves, with a courtyard separating each section. Although some of these homes have now been abandoned, most of them are still occupied by families today.
Hong Kong's Disappearing Tong Lau - A Panoramic Perspective
This series of panoramic photographs offers a unique and new perspective on Hong Kong’s much-loved architecture. An international collaboration between photographer Stefan Irvine and post-production expert Jörg Dietrich, the images are a celebration of the city’s rich architectural heritage.
The series focuses predominantly on Hong Kong’s “tong lau” (騎樓), or Chinese “shophouse” buildings, a type of tenement architecture once popular throughout Southern China for both residential and commercial use. Other works capture similarly distinctive, historically-significant styles of architecture, displaying influences from Hong Kong and beyond.
With much of Hong Kong’s urban heritage under constant threat of redevelopment, these photographs serve as vital historical documents for the communities they depict. Several blocks showcased in the series, including Shanghai Street's listed shophouses, have been earmarked for demolition or significant redevelopment by Hong Kong's Urban Renewal Authority.
The production process of these linear panoramas demands meticulous planning and careful attention to detail. Photographer Stefan Irvine often makes several trips to each location, painstakingly capturing the entire facade of the buildings, at precise intervals and distances, with careful attention given to moving objects and people in the scene.
These photographs from multiple perspectives are digitally merged and manipulated by Jörg Dietrich into one expansive, seamless image, creating a singular visualisation of the architecture in an entire city block. This perspective allows the viewer to experience the life of a whole city street at a glance, featuring greater detail and instilling more emotional impact than other traditional forms of photography.